How Pictures Complete Us : The Beautiful, the Sublime, and the Divine
Paul Crowther
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What Drawing and Painting Really Mean : The Phenomenology of Image and Gesture
Paul Crowther
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Camille Pissarro, le patriarche de l'impressionnisme : Des paysages ruraux aux scenes urbaines
Thibaut Wauthion
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England and its Aesthetes : Biography and Taste
David Carrier
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How Pictures Complete Us : The Beautiful, the Sublime, and the Divine
Paul Crowther
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What Drawing and Painting Really Mean : The Phenomenology of Image and Gesture
Paul Crowther
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How Pictures Complete Us : The Beautiful, the Sublime, and the Divine
Paul Crowther
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What Drawing and Painting Really Mean : The Phenomenology of Image and Gesture
Paul Crowther
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Defining Art, Creating the Canon : Artistic Value in an Era of Doubt
Paul Crowther
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Theory of the Art Object
Paul Crowther
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Paul Crowther
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Principles of Art History Writing
David Carrier
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Poussin's Paintings : A Study in Art-Historical Methodology
David Carrier
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The Aesthete in the City : The Philosophy and Practice of American Abstract Painting in the 1980s
David Carrier
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High Art : Charles Baudelaire and the Origins of Modernist Painting
David Carrier
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The Aesthetics of Comics
David Carrier
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Aesthetics of the Margins / The Margins of Aesthetics : Wild Art Explained
David Carrier
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The Language of Twentieth-Century Art : A Conceptual History
Paul Crowther
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Giuseppe Arcimboldo et les tetes composees : Un savant melange de fantaisie et d'erudition
Anne-Sophie Lesage
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Thomas Gainsborough, entre portrait et paysage : Un autodidacte aux origines du romantisme anglais
Thomas Jacquemin
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