Anywhere or Not at All : Philosophy of Contemporary Art
Peter Osborne
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Peter Osborne
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Add to BasketTheories of Art : 1. From Plato to Winckelmann
Moshe Barasch
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Add to BasketThe Postconceptual Condition
Peter Osborne
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Add to BasketTheories of Art : 3. From Impressionism to Kandinsky
Moshe Barasch
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Anywhere or Not at All : Philosophy of Contemporary Art
Peter Osborne
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Camille Pissarro, le patriarche de l'impressionnisme : Des paysages ruraux aux scenes urbaines
Thibaut Wauthion
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Theories of Art : 2. From Winckelmann to Baudelaire
Moshe Barasch
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Moshe Barasch
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Add to BasketBlindness : The History of a Mental Image in Western Thought
Moshe Barasch
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Add to BasketGiuseppe Arcimboldo et les tetes composees : Un savant melange de fantaisie et d'erudition
Anne-Sophie Lesage
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Thomas Gainsborough, entre portrait et paysage : Un autodidacte aux origines du romantisme anglais
Thomas Jacquemin
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Andrea Mantegna, le roi de l'illusion : Entre inspiration antique et passion du progres
Eliane Reynold de Seresin
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Rogier Van der Weyden, entre gothique et ars nova : Un primitif flamand en quete de realisme
Celine Muller
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Diego Velasquez ou le baroque a l'heure espagnole : Un souffle de modernite dans l'art du portrait de cour
Delphine Gervais de Lafond
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John William Waterhouse, le preraphaelite moderne : Un univers de mythes, de legendes et de passions
Delphine Gervais de Lafond
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Claude Lorrain et l'esthetique classique : L'art du « paysage ideal », entre reel et imaginaire
Tatiana Sgalbiero
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William Hogarth, le Shakespeare de la peinture : Vers la creation d'un art national anglais
Delphine Gervais de Lafond
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Sir Joshua Reynolds ou le portrait dans tous ses etats : A l'aube de la Royal Academy of Arts
Delphine Gervais de Lafond
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Jacob Jordaens et le joyeux desordre : Sur les pas d'un peintre anversois au XVIIe siecle
Celine Muller
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Tintoret et la fureur de peindre : Du manierisme venitien aux premices du baroque
Eliane Reynold de Seresin
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