The Mack : Charles Rennie Mackintosh and the Glasgow School of Art
Robyne Calvert
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Rene Magritte : The Artist's Materials
Catherine Defeyt
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Conserving Canvas
Cynthia Schwarz
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Guidelines for the Technical Examination of Bronze Sculpture
David Bourgarit
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Inventories and Surveys for Heritage Management : Lessons for the Digital Age
David Myers
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Architectures of Colonialism : Constructed Histories, Conflicting Memories
Vera Egbers
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Zeichnungssammlungen in Wien und Mitteleuropa : Akteure – Praktiken – Rahmendiskurse
Christof Metzger
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Caspar David Friedrich ausstellen : Retrospektiven und Rezeption in den 1970er Jahren
Klara von Lindern
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Conservation of Photographs : Significance, Use and Care
Debra Hess Norris
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Documentation as Art : Expanded Digital Practices
Annet Dekker
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Creating the Perfect Form : How to Interpret and Display Historic Dress
Ms Janet Wood
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The Posthumous Papers of the Manuscripts Club
Christopher de Hamel
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The Science For Conservators Series : Volume 3: Adhesives and Coatings
C.V. Horie
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Museum Environment
Garry Thomson Cbe
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Chinese Wallpaper in Britain and Ireland
Emile de Bruijn
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Museum Lighting - A Guide for Conservators and Curators
David Saunders
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Provenance - An Alternate History of Art
Gail Feigenbaum
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Sam Francis - The Artist's Materials
Debra Burchett-Lere
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Antiquities in Motion - From Excavation Sites to Renaissance Collections
Barbara Furlotti
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Properties of Plastics : A Guide for Conservators
Thea B. van Oosten
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The Guardians of Art : Conversations with Major Collectors
Dani Levinas
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Herculaneum and the House of the Bicentenary : History and Heritage
Sarah Court
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The Conservation of Medieval Polychrome Wood Sculpture - History, Theory, Practice
Michele D. Marincola
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The Artist's Materials
Corina E. Rogge
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