Material Bernini
Evonne Levy
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The Baroque in Architectural Culture, 1880-1980
Andrew Leach
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Rubens and the Eloquence of Drawing
Catherine H. Lusheck
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Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni
Ruth S. Noyes
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Caravaggio : A Reference Guide to His Life and Works
Lilian H. Zirpolo
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Baroquemania : Italian Visual Culture and the Construction of National Identity, 1898-1945
Laura Moure Cecchini
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The Versailles Effect : Objects, Lives, and Afterlives of the Domaine
Mark (University of Sydney, Australia) Ledbury
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Corporeality and Performativity in Baroque Naples : The Body of Naples
Alessandro Giardino
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Shapely Bodies : The Image of Porcelain in Eighteenth-Century France
Christine A. Jones
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Decorative Games : Ornament, Rhetoric, and Noble Culture in the Work of Gilles-Marie Oppenord (1672-1742)
Jean-Francois Bedard
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Understanding Art : A Reference Guide to Painting, Sculpture and Architecture in the Romanesque, Gothic, Renaissance and Baroque Periods
Flavio Conti
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Image, Text and Audience : The "Taishokan" Narrative in Visual Representations of the Early Modern Period in Japan
Melanie Trede
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Camillo Rusconi : Ein Bildhauer des Spatbarock in Rom
Frank Martin
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The Museum Is Open : Towards a Transnational History of Museums 1750-1940
Andrea Meyer
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Imaginationen des Islam : Bildliche Darstellungen des Propheten Mohammed im westeuropaischen Buchdruck bis ins 19. Jahrhundert
Alberto Saviello
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Naturform und bildnerische Prozesse : Elemente einer Wissensgeschichte in der Kunst des 16. und 17. Jahrhunderts
Robert Felfe
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Jean Marot : Un graveur d'architecture a l'epoque de Louis XIV
Kristina Deutsch
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Denkende Korper – Formende Hande : Handeling in Kunst und Kunsttheorie der "Rembrandtisten"
Yannis Hadjinicolaou
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Bildbetrachtung in Bewegung : Der Rezipient in Texten und Bildern zur Pariser Salonausstellung des 18. Jahrhunderts
Anja Weisenseel
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Ars - Visus - Affectus : Visuelle Kulturen des Affektiven in der Fruhen Neuzeit
Anna Pawlak
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Die Villa Bellavista in Borgo a Buggiano : Kunstpatronage und Reprasentationsstrategien der Marchesi Feroni
Christine Follmann
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European Fans in the 17th and 18th Centuries : Images, Accessories, and Instruments of Gesture
Miriam Volmert
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Das Bild als Gesprachsprogramm : Selbstreflexive Malerei und ihr kommunikativer Gebrauch in der Fruhen Neuzeit
Wolfgang Brassat
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Farbe und Licht in Goyas Malerei
Jutta Held
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