Modernism and Its Merchandise : The Spanish Avant-Garde and Material Culture, 1920-1930
Juli (University of Michigan) Highfill
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The Curatorial Avant-Garde : Surrealism and Exhibition Practice in France, 1925-1941
Adam Jolles
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Graphic Passion : Matisse and the Book Arts
John (Curatorial Chair, The Morgan Library) Bidwell
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The End Again : Degeneration and Visual Culture in Modern Spain
Oscar E. (University of Illinois Urbana-Champaign) Vazquez
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Nature’s Experiments and the Search for Symbolist Form
Allison (Associate Professor, Queen’s University) Morehead
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The Seductions of Darwin : Art, Evolution, Neuroscience
Matthew Rampley
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All About Process : The Theory and Discourse of Modern Artistic Labor
Kim Grant
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Soviet Salvage : Imperial Debris, Revolutionary Reuse, and Russian Constructivism
Catherine Walworth
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Beholding Christ and Christianity in African American Art
James (Associate Professor of Art History, Lander University) Romaine
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Power and Posterity : American Art at Philadelphia's 1876 Centennial Exhibition
Kimberly (Andrew W. Mellon Curator of American Art) Orcutt
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Henry James and American Painting
Colm (Columbia University) Toibin
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Surveying the Avant-Garde : Questions on Modernism, Art, and the Americas in Transatlantic Magazines
Lori (Visiting Assistant Professor, New York University) Cole
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Surveying the Avant-Garde : Questions on Modernism, Art, and the Americas in Transatlantic Magazines
Lori (Visiting Assistant Professor, New York University) Cole
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Shattered Objects : Djuna Barnes's Modernism
Elizabeth (Teacher, University of Sydney) Pender
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Shattered Objects : Djuna Barnes’s Modernism
Elizabeth (Teacher, University of Sydney) Pender
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The Spanish Element in Our Nationality” : Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915
M. Elizabeth (Professor of History of Art, University of Albert Boone
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Contraband Guides : Race, Transatlantic Culture, and the Arts in the Civil War Era
Paul H. D. (Professor of Art History) Kaplan
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Meyer Schapiro's Critical Debates : Art Through a Modern American Mind
C. Oliver (Research Associate, Warburg Institute, Universit O'Donnell
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The Female Secession : Art and the Decorative at the Viennese Women’s Academy
Megan (Associate Professor of History, City University Brandow-Faller
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Albrecht Durer and the Embodiment of Genius : Decorating Museums in the Nineteenth Century
Jeffrey Chipps (Kay Fortson Chair in European Art, University o Smith
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Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America
Makeda (Oakland Museum of California) Best
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Sculptors Against the State : Anarchism and the Anglo-European Avant-Garde
Mark (Duke University) Antliff
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’Pataphysics Unrolled
Katie L. (Swarthmore College) Price
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Why Monet Matters : Meanings Among the Lily Pads
James H. (SUNY Stony Brook) Rubin
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