The Wes Anderson Collection: The Grand Budapest Hotel
Matt Zoller Seitz
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The Sopranos Sessions
Matt Zoller Seitz
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The Art of Film Projection : A Beginner's Guide
Paolo Cherchi Usai
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Bird Planet : A Photographic Journey
Tim Laman
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Shapeshifters : The Wondrous World of Jellyfish
Lisa-ann Gershwin
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Producing 24p Video : Covers the Canon XL2 and the Panasonic DVX-100a DV Expert Series
John Skidgel
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BYWAYS. Photographs by Roger A Deakins
Roger Deakins
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Setting Up Your Shots : Great Camera Moves Every Filmmaker Should Know
Jeremy Vineyard
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The Adventure Game : A Cameraman's Tales from Films at the Edge
Keith Partridge
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Alfred Hitchcock
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Life Through an Aperture : The Films and Photography of Keith Hamshere
Keith Hamshere
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On the Frontlines of the Television War : A Legendary War Cameraman in Vietnam
Yasutsune Hirashiki
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The Filmmaker's View : 100 Years of ARRI
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Techniques of Special Effects of Cinematography
Raymond Fielding
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Color and Mastering for Digital Cinema
Glenn Kennel
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Sight, Sound, Motion : Applied Media Aesthetics
Herbert (San Francisco State University (Emeritus)) Zettl
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About to Die : How News Images Move the Public
Barbie (Raymond Williams Chair of Communication and the Direc Zelizer
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Edison's Kinetoscope and Its Films : A History to 1896
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Provincializing Bollywood : Bhojpuri Cinema in the Comparative Media Crucible
Akshaya (Assistant Professor, Assistant Professor, School of Hu Kumar
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Practices of Projection : Histories and Technologies
Gabriel (Lecturer in Film Editing & Multimedia, Lecturer in F Menotti
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The Basics of Filmmaking : Screenwriting, Producing, Directing, Cinematography, Audio, & Editing
Blain Brown
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles (Feirstein Graduate School of Cinema, USA) Haine
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The Filmmaker's Eye: The Language of the Lens : The Power of Lenses and the Expressive Cinematic Image
Gustavo Mercado
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Conversations with Contemporary Cinematographers : The Eye Behind the Lens
Jacqueline Frost
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