Compositing Visual Effects : Essentials for the Aspiring Artist
Steve (Visual Effect Compositing Veteran, Los Angeles, CA, USA Wright
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Cut to the Chase : Forty-five Years of Editing America's Favourite Movies
Bobbie O'Steen
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Practical Art of Motion Picture Sound
David Lewis Yewdall
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles (Feirstein Graduate School of Cinema, USA) Haine
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Introduction to Cinematography : Learning Through Practice
Tania Hoser
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Production Safety for Film, Television and Video
Robin (Senior Lecturer in Television, Media Department, Univers Small
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Film Editing : Emotion, Performance and Story
Julie (Senior Lecturer and Associate Lecturer, Westminster Un Lambden
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Magnum Sul Set : Magnum Photographers on Film Sets
Alberto Barbera
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Colour Films in Britain : The Eastmancolor Revolution
Sarah (University of Bristol) Street
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Behind the Lens : Dispatches from the Cinematographic Trenches
Jay Holben
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Composition
David Prakel
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Cinema Raw : Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras
Kurt Lancaster
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The Green Screen Makerspace Project Book
Todd Burleson
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Film and Video Editing Theory : How Editing Creates Meaning
Michael Frierson
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The Practical Guide to Documentary Editing : Techniques for TV and Film
Sam (Film and TV editor, UK) Billinge
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Untangling the Knot, Belugas and Bears : My Natural World on Film
Mike Potts
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Aesthetic 3D Lighting : History, Theory, and Application
Lee (Visual Effects Artist, USA) Lanier
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Make the Cut : A Guide to Becoming a Successful Assistant Editor in Film and TV
Lori Coleman
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Reel Change : A History of British Cinema from the Projection Box
Richard Wallace
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A History of Pre-Cinema V1
Stephen Herbert
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A History of Pre-Cinema V2
Stephen Herbert
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A History of Pre-Cinema V3
Stephen Herbert
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The Filmmaker's Eye: The Language of the Lens : The Power of Lenses and the Expressive Cinematic Image
Gustavo Mercado
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Master Shots, Vol. 3 : The Director's Vision
Christopher Kenworthy
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