Colour Films in Britain : The Eastmancolor Revolution
Sarah (University of Bristol) Street
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Cinema Raw : Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras
Kurt Lancaster
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Shapeshifters : The Wondrous World of Jellyfish
Lisa-ann Gershwin
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Film and Video Editing Theory : How Editing Creates Meaning
Michael Frierson
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The Green Screen Makerspace Project Book
Todd Burleson
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The Practical Guide to Documentary Editing : Techniques for TV and Film
Sam (Film and TV editor, UK) Billinge
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Untangling the Knot, Belugas and Bears : My Natural World on Film
Mike Potts
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Reel Change : A History of British Cinema from the Projection Box
Richard Wallace
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Fine Cuts: Interviews on the Practice of European Film Editing
Roger (BAFTA, UK) Crittenden
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A History of Pre-Cinema V1
Stephen Herbert
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A History of Pre-Cinema V2
Stephen Herbert
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A History of Pre-Cinema V3
Stephen Herbert
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BYWAYS. Photographs by Roger A Deakins
Roger Deakins
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The Filmmaker's Eye: The Language of the Lens : The Power of Lenses and the Expressive Cinematic Image
Gustavo Mercado
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Master Shots, Vol 2 : 100 Ways to Shoot Great Dialogue Scenes
Christopher Kenworthy
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Master Shots, Vol. 3 : The Director's Vision
Christopher Kenworthy
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Motion Studies : Time, Space and Eadweard Muybridge
Rebecca Solnit
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Hong Kong New Wave Cinema (1978-2000)
Pak Tong Cheuk
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Film Editing – The Art of the Expressive
Valerie Orpen
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Cinema India
Rachel Dwyer
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The Adventure Game : A Cameraman's Tales from Films at the Edge
Keith Partridge
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Moving Image Technology - from Zoetrope to Digital
Leo Enticknap
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Screen/Space : The Projected Image in Contemporary Art
Tamara Trodd
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Basic Betacam Camerawork
Peter Ward
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