Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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Embodied Playwriting : Improv and Acting Exercises for Writing and Devising
Hillary Haft Bucs
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How to Swing in Musical Theatre : A Guide to Covering the Ensemble
Jaye J. Elster
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Acting : The Basics
Bella Merlin
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Antiracism in Ballet Teaching
Kate Mattingly
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Bourdieu in the Studio : Decolonising and Decentering Actor Training Through Ludic Activism
Evi Stamatiou
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Futures of Performance : The Responsibilities of Performing Arts in Higher Education
Karen Schupp
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
Dr. Catherine (Bristol University, UK) O'Rawe
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The Oxford Companion to Theatre and Performance
Dennis (Beckett Professor of Drama Emeritus, Trinity College, Kennedy
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Johnny Depp: Anatomy of an Actor
Corinne Vuillaume
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On Actors And Acting
Prof. Peter Thomson
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Nicole Kidman
Alexandre Tylski
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George Clooney
Jeremy Smith
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A History of Installation Art and the Development of New Art Forms : Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation
Faye Ran
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Carole Lombard : A Bio-Bibliography
Robert Matzen
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Cary Grant : A Bio-Bibliography
Beverly Bare Buehrer
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Staging the Other in Nineteenth-Century British Drama
Isobel Armstrong
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TYA, Culture, Society : International Essays on Theatre for Young Audiences a Publication of Assitej and Ityarn
Manon Van de Water
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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