New Approaches to Ernst Lubitsch : A Light Touch
Peucker Brigitte Peucker
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Identification of Pathological Conditions in Human Skeletal Remains
Donald J. Ortner
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Die Commedia dell'arte im Theater des 20. Jahrhunderts
Bessenbacher Veit Bessenbacher
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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Listening and Talking : A Pathway to Acting
Evan (Richard Rodgers Director of Drama, Julliard, New York Yionoulis
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
Dr. Catherine (Bristol University, UK) O'Rawe
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Imagining the Method : Reception, Identity, and American Screen Performance
Rawlins Justin Owen Rawlins
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Kristin Linklater
Bernadette Cronin
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Contemporary Storytelling Performance : Female Artists on Practices, Platforms, Presences
Stephe Harrop
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Rethinking Roland Barthes Through Performance : A Desire for Neutral Dramaturgy
Wilson Harry Robert Wilson
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Rethinking Roland Barthes Through Performance : A Desire for Neutral Dramaturgy
Wilson Harry Robert Wilson
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Performer Training for Actors and Athletes
Camilleri Frank Camilleri
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Performer Training for Actors and Athletes
Camilleri Frank Camilleri
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
O'Rawe Catherine O'Rawe
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
O'Rawe Catherine O'Rawe
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Ricardo Darin and the Construction of Latin American Film Stardom
Clara Garavelli
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Ricardo Darin and the Construction of Latin American Film Stardom
Clara Garavelli
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Zygmunt Molik's Voice and Body Work : The Legacy of Jerzy Grotowski
Giuliano Campo
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