Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Stanislavsky and Pedagogy
Stefan Aquilina
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Improvisation the Michael Chekhov Way : Active Exploration of Acting Techniques
Wil Kilroy
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
Dr. Catherine (Bristol University, UK) O'Rawe
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On Actors And Acting
Prof. Peter Thomson
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A History of Installation Art and the Development of New Art Forms : Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation
Faye Ran
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Staging the Other in Nineteenth-Century British Drama
Isobel Armstrong
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Carole Lombard : A Bio-Bibliography
Robert Matzen
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Cary Grant : A Bio-Bibliography
Beverly Bare Buehrer
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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The Routledge Companion to Jacques Lecoq
Mark Evans
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Acting in the Academy : The History of Professional Actor Training in US Higher Education
Peter Zazzali
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The Training of Noh Actors and The Dove
David Griffiths
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Hamlet on Stage : The Great Tradition
John Mills
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Reinventing Drama : Acting, Iconicity, Performance
Bruce G. Shapiro
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Method Acting Reconsidered : Theory, Practice, Future
David Krasner
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Shakespeare & Company : When Action is Eloquence
Bella Merlin
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Owning Our Voices : Vocal Discovery in the Wolfsohn-Hart Tradition
Margaret Pikes
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Deburau : Pierrot, Mime, and Culture
Edward Nye
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