Commedia Dell'Arte : A Handbook for Troupes
Oliver Crick
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To the Actor : On the Technique of Acting
Michael Chekhov
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Michael Chekhov
Franc (University of Huddersfield, Ireland) Chamberlain
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Acting (Re)Considered : A Theoretical and Practical Guide
Phillip B. Zarrilli
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Movie Acting, The Film Reader
Pamela Robertson Wojcik
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Merely Players? : Actors' Accounts of Performing Shakespeare
Jonathan Holmes
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Science and the Stanislavsky Tradition of Acting
Jonathan (University of Leeds, UK The University of Leeds, Un Pitches
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Psychophysical Acting : An Intercultural Approach after Stanislavski
Phillip B. Zarrilli
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Stage Presence
Jane (University of Western Sydney, Australia) Goodall
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And Then, You Act : Making Art in an Unpredictable World
Anne (Siti Theatre Company New York, USA) Bogart
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Award Monologues for Men
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Award Monologues for Women
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Body Voice Imagination : ImageWork Training and the Chekhov Technique
David (Tel Aviv University, Israel) Zinder
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Actor Training
Alison Hodge
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The Vakhtangov Sourcebook
Andrei Malaev-Babel
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The Science Of Acting
Sam Kogan
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Stanislavski: The Basics
Rose Whyman
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Stanislavsky in America : An Actor's Workbook
Mel (University of California, Berkeley, USA) Gordon
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Active Analysis
Maria Knebel
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Embodied Acting : What Neuroscience Tells Us About Performance
Rick Kemp
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Theorizing Film Acting
Aaron Taylor
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Stanislavsky: A Life in Letters
Laurence Senelick
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