Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The Craft of Screen Acting
Amanda Brennan
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New Approaches to Ernst Lubitsch : A Light Touch
Peucker Brigitte Peucker
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Identification of Pathological Conditions in Human Skeletal Remains
Donald J. Ortner
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Die Commedia dell'arte im Theater des 20. Jahrhunderts
Bessenbacher Veit Bessenbacher
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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Audience Participation in Theatre : Aesthetics of the Invitation
G. White
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Lessons from our Students : Meditations on Performance Pedagogy
Stacey Cabaj
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Acting : The Basics
Bella Merlin
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Antiracism in Ballet Teaching
Kate Mattingly
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Improvisation the Michael Chekhov Way : Active Exploration of Acting Techniques
Wil Kilroy
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Listening and Talking : A Pathway to Acting
Evan (Richard Rodgers Director of Drama, Julliard, New York Yionoulis
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