Futures of Performance : The Responsibilities of Performing Arts in Higher Education
Karen Schupp
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Stanislavsky and Pedagogy
Stefan Aquilina
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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An Actor Survives : Remarks on Stanislavsky
Tomasz Kubikowski
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Acting Is Believing : Stanislavski in the 21st Century
Kenneth L. Stilson
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Performative Opacity in the Work of Isabelle Huppert
Iggy Cortez
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Acting (Re)Considered : A Theoretical and Practical Guide
Phillip B. Zarrilli
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Commedia Dell'Arte : A Handbook for Troupes
Oliver Crick
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Psychophysical Acting : An Intercultural Approach after Stanislavski
Phillip B. Zarrilli
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Art Into Theatre : Performance Interviews and Documents
Nick Kaye
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The Improvisation Studies Reader : Spontaneous Acts
Rebecca (University of Guelph, Ontario, Canada) Caines
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The Actor Training Reader
MARK (Coventry University, UK) EVANS
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Adolphe Appia: Artist and Visionary of the Modern Theatre
Richard C. Beacham
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Master Classes in the Michael Chekhov Technique
The Michael Chekhov Association Micha
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An Actor's Work on a Role
Konstantin Stanislavski
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Moves : A Sourcebook of Ideas for Body Awareness and Creative Movement
Katya Bloom
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The Routledge Companion to Jacques Lecoq
Mark Evans
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Psychology for Performing Artists : Butterflies and Bouquets
Glenn Wilson
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Experiencing Stanislavsky Today : Training and Rehearsal for the Psychophysical Actor
Stephanie Daventry French
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Acting with Grotowski : Theatre as a Field for Experiencing Life
Zbigniew Cynkutis
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