Stanislavsky and Pedagogy
Stefan Aquilina
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Improvisation the Michael Chekhov Way : Active Exploration of Acting Techniques
Wil Kilroy
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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How Does Disability Performance Travel? : Access, Art, and Internationalization
Christiane Czymoch
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Embodied Playwriting : Improv and Acting Exercises for Writing and Devising
Hillary Haft Bucs
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How to Swing in Musical Theatre : A Guide to Covering the Ensemble
Jaye J. Elster
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Acting : The Basics
Bella Merlin
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Antiracism in Ballet Teaching
Kate Mattingly
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Bourdieu in the Studio : Decolonising and Decentering Actor Training Through Ludic Activism
Evi Stamatiou
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Futures of Performance : The Responsibilities of Performing Arts in Higher Education
Karen Schupp
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
Dr. Catherine (Bristol University, UK) O'Rawe
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Henry IV (Falstaff) : Actors on Shakespeare
Simon Callow
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One on One : The Best Women's Monologues for the Nineties
Jack Temchin
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Tips for Actors
Fergus (Author) Craig
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Out on a Limb
Shirley Maclaine
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Henry IV, Part II : Actors on Shakespeare
Simon Callow
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Othello : Actors on Shakespeare
James Earl Jones
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Acting : A Drama Studio Source Book
John Miles-Brown
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