Fifty Key Improv Performers : Actors, Troupes, and Schools from Theatre, Film, and TV
Matt Fotis
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How to Read a Play : Script Analysis for Directors
Damon (DePaul University, USA) Kiely
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Critical Acting Pedagogy : Intersectional Approaches
Lisa Peck
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Theatrical Violence Design : Safety, Illusion, and Story in Stage Combat Choreography
Richard Gilbert
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Why Do Actors Train? : Embodiment for Theatre Makers and Thinkers
Brad (Hunter College, USA) Krumholz
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Shakespeare and Stanislavsky : A Practical Guide for Actors, Directors, Students and Teachers
Annie (RADA, UK) Tyson
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The Independent Actor : An Accessible Companion for All Actors
Ms Sally Ann Gritton
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The Alexander Technique : A Personal and Critical Guide for Practitioners, Students and Performance Artists
Peter Ribeaux
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The Alexander Technique : A Personal and Critical Guide for Practitioners, Students and Performance Artists
Peter Ribeaux
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An Actor Prepares
Constantin Stanislavski
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Impro for Storytellers
Keith Johnstone
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Freeing the Natural Voice
Kristin Linklater
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Blowing the Bloody Doors Off : And Other Lessons in Life
Michael Caine
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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The Actor and the Target
Declan Donnellan
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The Actor And The Text
Cicely Berry
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The Complete Stanislavsky Toolkit
Bella Merlin
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Your Voice and How to Use it
Cicely Berry
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Through The Body : A Practical Guide to Physical Theatre
Dymphna Callery
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Impro : Improvisation and the Theatre
Mr Keith Johnstone
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The Methuen Drama Book of Monologues for Young Actors
Anne Harvey
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The Methuen Drama Book of Duologues for Young Actors
Anne Harvey
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Different Every Night : Freeing the Actor
Mike Alfreds
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Laban for Actors and Dancers : Putting Laban's Movement Theory into Practice - A Step-by-Step Guide
Jean Newlove
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