Mime into Physical Theatre: A UK Cultural History 1970–2000
Mark Evans
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The Elements of Theatrical Expression
Brian Kulick
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The Shakespeare Masterclasses
Ron Destro
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A World Elsewhere
Steven Berkoff
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Inclusive Character Analysis : Putting Theory into Practice for the 21st Century Theatre Classroom
Jennifer Thomas
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American Accent Drills for British and Australian Speakers
Amanda Quaid
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Contemporary Rehearsal Practice : Anthony Neilson and the Devised Text
Gary Cassidy
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The Routledge Companion to Performance Practitioners : Volume One
Franc Chamberlain
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Exercises for Embodied Actors : Tools for Physical Actioning
Scott Illingworth
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The Voice Coach's Toolkit
Pamela Prather
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Michael Chekhov and Sanford Meisner : Collisions and Convergence in Actor Training
Anjalee Deshpande Hutchinson
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Women, Method Acting, and the Hollywood Film
Keri Walsh
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Attention in Performance : Acting Lessons in Sensory Anthropology
Cassis (Mainz University, Germany) Kilian
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Partners of the Imagination : The Lives, Art and Struggles of John Arden and Margaretta D’Arcy
Robert Leach
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Acting for the Camera: Back to One
Peter Allen Stone
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Applied Meisner for the 21st-Century Actor
Kevin Otos
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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The Routledge Companion to Vsevolod Meyerhold
Jonathan Pitches
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In Search of Stanislavsky’s Creative State on the Stage : With a Practice as Research Case Study
Gabriela Curpan
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Lessons from The Maestro : Crafting a Successful Fight/Stunt Career in Theatre and Film
David L. (Fight Director, USA) Boushey
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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Inclusivity and Equality in Performance Training : Teaching and Learning for Neuro and Physical Diversity
Petronilla Whitfield
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Commedia dell'Arte, its Structure and Tradition : Antonio Fava in Conversation with John Rudlin
John (University of Exeter, UK) Rudlin
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Creating Improvised Theatre : Tools, Techniques, and Theories for Short Form and Narrative Improvisation
Mark Jane
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