Special Makeup Effects for Stage and Screen : Making and Applying Prosthetics
Todd Debreceni
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You, the Choreographer : Creating and Crafting Dance
Vladimir Angelov
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A Holocaust Cabaret : Re-making Theatre from a Jewish Ghetto
Lisa (University of York) Peschel
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The Cambridge Companion to British Theatre since 1945
Jen (Queen Mary University of London) Harvie
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Following the Score : The Ravel Trilogy
Michael (University of Lincoln) Pinchbeck
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AQA Drama and Theatre: A Level and AS
Su Fielder
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The Art of Theatre : Then and Now
Wright (University of Wyoming)
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Interpersonal Communication : Everyday Encounters
Julia (University of North Carolina, Chapel Hill) Wood
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Education and Dramatic Art
David Hornbrook
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Musical Gestures : Sound, Movement, and Meaning
Rolf Inge (University of Oslo, Norway) Godoy
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Theatre, Intimacy & Engagement : The Last Human Venue
A. Read
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Extending Ecocriticism : Crisis, Collaboration and Challenges in the Environmental Humanities
Peter Barry
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Structural Design for the Stage
Alys (Theatrical Systems Designer, Walt Disney Imagineering; I Holden
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The Essential Theatre
Oscar (University of Texas, Austin) Brockett
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Theater Planning : Facilities for Performing Arts and Live Entertainment
Gene Leitermann
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The False One : By John Fletcher and Philip Massinger
Domenico Lovascio
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Directing Scenes and Senses : The Thinking of Regie
Peter Boenisch
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Performance Costume : New Perspectives and Methods
Professor Sofia (Aalto University, Finland) Pantouvaki
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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The Family of Love : By Lording Barry
Sophie Tomlinson
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Ivo van Hove : From Shakespeare to David Bowie
Professor Sonia (Sapienza, University of Rome, Italy, and King Massai
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Performing Arousal : Precarious Bodies and Frames of Representation
Professor Julia (USA) Listengarten
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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Crisis, Representation and Resilience : Perspectives on Contemporary British Theatre
Clare Wallace
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