Der Faktor «Publikum» in den Theatertheorien der europaeischen Avantgarde zwischen 1890 und 1930
Nam Sang Sik Nam
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Kommerzielles Tourneetheater in ensemblelosen Gemeinden : Rahmenbedingungen, Struktur- und Funktionsprinzipien eines Produktions- und Distributionsmodells innerhalb des deutschen Theatersystems.- Erge
Borowy Claudia Borowy
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Hoftheater - Volkstheater - Nationaltheater : Die Wanderbuehnen Im Mannheim Des 18. Jahrhunderts Und Ihr Beitrag Zur Gruendung Des Nationaltheaters
Wilhelm Herrmann
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Ansaetze zu einer Geschichte des juedischen Theaters in Berlin 1889-1936
Riss Heidelore Riss
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Japanischer Kolonialismus und Koreanisches Theater : Dargestellt am Beispiel der modernen Theaterbewegung Shinkug-Undong der 1920er Jahre in Korea
Sung Ester M.H. Sung
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Haendel-Fest und «Spiel der 10.000» : Der Regisseur Hanns Niedecken-Gebhard
Helmich Bernhard Helmich
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Herr und Diener in der franzoesischen Komoedie des siebzehnten und achtzehnten Jahrhunderts : Eine ideologiekritische Studie
Klenke Dorothea Klenke
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Komoediantische Volkstheatertraditionen in Iran und die Entstehung des iranischen Berufstheaters nach europaeischem Vorbild von der Jahrhundertwende bis 1978
Ritzel-Moosavi Male Andrea Ritzel-Moosavi Male
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Tanz ist die Sprache der Goetter : Eine Kulturwandelstudie der Taenzer Sri Lankas
Nurnberger Marianne Nurnberger
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Autobiographisches in Arthur Millers familienzentrierten Dramen
Kallenberg-Schroder Andrea Kallenberg-Schroder
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Funktionen des koreanischen Puppenspiels «Kkoktugaksi-norum»
Sang-Lan Lee
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Das Finale der Agonie: Funktionen des «Metadramas» im deutschsprachigen Drama der 80er Jahre
Bruster Birgit Bruster
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Die Behandlung der antiken Mythologie in den Textbuechern der Hamburger Oper 1678-1738 : Herausgegeben von Henrik Birus und Wolfgang Harms
Haufe Eberhard Haufe
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La «clemenza di Tito» von Wolfgang Amade Mozart im Spiegel der musikalischen Fachpresse zwischen 1800 und 1850 : Rezeptionsgeschichtliche Untersuchungen unter besonderer Beruecksichtigung der Wiener Q
Hiltner-Hennenberg Beate Hiltner-Hennenberg
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Arbeitsrecht des Orchestermusikers
Heinemann Jochen Heinemann
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Kino der Extreme : Die Filme Federico Fellinis zwischen Sensation und Ignoranz- - ein rezeptionsaesthetischer Diskurs
Strohm Petra Susanne Strohm
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Historisches Drama und gesellschaftskritische Komoedie in den Laendern Suedosteuropas im 19. Jahrhundert : Vom Theater des Nationalismus zum Nationaltheater
Puchner Walter Puchner
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Die unmoegliche Tragoedie : Karnevalisierung und Gattungsmischung im venezianischen Opernlibretto des siebzehnten Jahrhunderts
Mehltretter Florian Mehltretter
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Ingeborg Bachmanns Libretti
Grell Petra Grell
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Geschichte Des Kinder- Und Jugendtheaters Zwischen 1945 Und 1970 : Konzepte, Entwicklungen, Materialien
Klaus Doderer
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Erika Hanka und das Wiener Staatsopernballett : Ein Abschnitt der oesterreichischen Ballettgeschichte von 1938 bis 1958
Fleissner-Moebius Elisabeth Fleissner-Moebius
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Die Kunst des Lachens - das Lachen der Kunst : Ein Stottern des Koerpers
Gregg Stefanie Gregg
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Raum Und Raumzeichen in Stanislaw Ignacy Witkiewiczs Buehnenschaffen Der Zwanziger Jahre : «Oder» Kann Man Am Ende Der Buehne Noch Die Hand Ausstrecken?
Ewa Makarczyk-Schuster
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Kindertheater Und Populaere Buergerliche Musikkultur Um 1900 : Studien Zum Weihnachtsmaerchen (C. A. Goerner, G. V. Bassewitz), Zum Patriotischen Festspiel, Zur Maerchenoper, Zur Hausmusik (C. Reineck
Hans-Heino Ewers-Uhlmann
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