Cue Tears : On the Act of Crying
Daniel Sack
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The Cambridge Companion to British Theatre since 1945
Jen (Queen Mary University of London) Harvie
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Negotiating Copyright in the American Theatre: 1856–1951
Brent S. Salter
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas Sonning
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas Sonning
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Into Abolitionist Theatre : A Guidebook for Liberatory Theatre-making
Rivka Eckert
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Into Abolitionist Theatre : A Guidebook for Liberatory Theatre-making
Rivka Eckert
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Cultural Leadership in Practice : Beyond Arts Management and Cultural Policy
Steven Hadley
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Cultural Leadership in Practice : Beyond Arts Management and Cultural Policy
Steven Hadley
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Writing Choreography : Textualities of and beyond Dance
Leena Rouhiainen
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Writing Choreography : Textualities of and beyond Dance
Leena Rouhiainen
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Understanding Cultural Policy : Government and the Arts and Culture in the United States
Carole Rosenstein
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Understanding Cultural Policy : Government and the Arts and Culture in the United States
Carole Rosenstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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Marina Carr and Greek Tragedy : Feminist Myths of Monstrosity
Salome Paul
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Marina Carr and Greek Tragedy : Feminist Myths of Monstrosity
Salome Paul
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The Routledge Companion to Performance and Medicine
Gianna Bouchard
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The Routledge Companion to Performance and Medicine
Gianna Bouchard
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Aeschylus' Oresteia : Translation and Theatrical Commentary
Michael Ewans
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Aeschylus' Oresteia : Translation and Theatrical Commentary
Michael Ewans
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