Improvisation the Michael Chekhov Way : Active Exploration of Acting Techniques
Wil Kilroy
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Kristin Linklater
Bernadette Cronin
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Embodied Playwriting : Improv and Acting Exercises for Writing and Devising
Hillary Haft Bucs
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Acting and Directing Shakespeare's Comedies : Key Lessons
Kevin Otos
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Futures of Performance : The Responsibilities of Performing Arts in Higher Education
Karen Schupp
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Stanislavsky and Intimacy
Joelle Re Arp-Dunham
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Lessons from Shakespeare’s Classroom : Empowering Learning Through Drama and Rhetoric
Robin Lithgow
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Beyond Method : Stella Adler and the Male Actor
Scott Balcerzak
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Teaching Acting with Practical Aesthetics
Troy Dobosiewicz
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The Elements of Theatrical Expression
Brian Kulick
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The Voice Coach's Toolkit
Pamela Prather
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Acting for the Camera: Back to One
Peter Allen Stone
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Somatic Voices in Performance Research and Beyond
Christina Kapadocha
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Contemporary Rehearsal Practice : Anthony Neilson and the Devised Text
Gary Cassidy
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The Art of Knife Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Foundations for Performance Training : Skills for the Actor-Dancer
Cara Harker
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Attention in Performance : Acting Lessons in Sensory Anthropology
Cassis (Mainz University, Germany) Kilian
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European Performative Theatre : The issues, problems and techniques of crucial masterpieces
Annamaria Cascetta
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Latinx Actor Training
Cynthia Santos DeCure
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The Need for Words : Voice and the Text
Patsy (Guildhall School of Music and Drama, UK) Rodenburg
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Blue Sky Body : Thresholds for Embodied Research
Ben (Huddersfield University) Spatz
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Acting the Essence : The Performer's Work on the Self
Giuliano (Ulster University, UK) Campo
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