Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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Art, Farming and Food for the Future : Transforming Agriculture
Barbara L. Benish
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Trauma and Embodied Healing in Dramatherapy, Theatre and Performance
J. F. (Theatre of Lived Experience, UK) Jacques
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A Cultural History of Comedy in Antiquity
Michael (University of Newcastle, Australia) Ewans
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A Cultural History of Comedy in the Age of Empire
Matthew (University of California, Merced, USA) Kaiser
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A Cultural History of Comedy in the Age of Enlightenment
Elizabeth (University of Georgia, USA) Kraft
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The Great European Stage Directors Volume 1 : Antoine, Stanislavski, Saint-Denis
Prof. Peta (La Trobe University, Melbourne, Australia) Tait
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The Great European Stage Directors Volume 2 : Meyerhold, Piscator, Brecht
David (University of York, UK) Barnett
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The Great European Stage Directors Volume 3 : Copeau, Komisarjevsky, Guthrie
Jonathan (University of Leeds, UK) Pitches
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The Great European Stage Directors Volume 4 : Reinhardt, Jessner, Barker
Michael (Late of De Montfort University, UK) Patterson
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The Great European Stage Directors Volume 5 : Grotowski, Brook, Barba
Paul (University of Kent, UK) Allain
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The Great European Stage Directors Volume 6 : Littlewood, Strehler, Planchon
Dr Clare Finburgh (Goldsmiths University, UK) Delijani
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The Great European Stage Directors Volume 7 : Barrault, Mnouchkine, Stein
Felicia Hardison (University of Missouri-Kansas City, USA) Londre
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The Arden Research Handbook of Shakespeare and Adaptation
Diana E. (Massachusetts Institute of Technology, USA) Henderson
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Negotiating Copyright in the American Theatre: 1856–1951
Brent S. Salter
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Playhouse Square and the Cleveland Renaissance
John Vacha
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Applied Theatre, Third Edition : International Case Studies and Challenges for Practice
Monica (University of Victoria, Canada) Prendergast
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Following the Score : The Ravel Trilogy
Michael (University of Lincoln) Pinchbeck
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Developing Theatre in the Global South : Institutions, Networks, Experts
Nic Leonhardt
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Belarusian Theatre and the 2020 Pro-Democracy Protests : Documenting the Resistance
Valleri J Robinson
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Opposing Apartheid on Stage : King Kong the Musical
Dr Tyler (Customer) Fleming
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Music Theatre and the Holy Roman Empire : The German Musical Stage at the Turn of the Nineteenth Century
Austin (University of Durham) Glatthorn
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Hamilton: The Revolution
Lin-Manuel Miranda
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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