Consent Practices in Performing Arts Education
Elaine DiFalco Daugherty
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The Play's the Thing : Fifty Years of Yale Repertory Theatre (1966-2016)
James Magruder
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Theatre Lighting Design : Conversations on the Art, Craft and Life
Emma (Freelance practitioner) Chapman
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The Arden Handbook of Shakespeare and Early Modern Drama : Perspectives on Culture, Performance and Identity
Michelle M. (University of Alabama, USA) Dowd
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A Sense of Theatre : The Untold Story of Britain’s National Theatre
Richard Pilbrow
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The Great European Stage Directors Volume 8 : Bausch, Castellucci, Fabre
Luk (University of Antwerp, Belgium) Van den Dries
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Applied Theatre, Third Edition : International Case Studies and Challenges for Practice
Monica (University of Victoria, Canada) Prendergast
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The Intimacy Coordinator's Guidebook : Specialties for Stage and Screen
Brooke M. Haney
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Shakespeare's Borrowed Feathers : How Early Modern Playwrights Shaped the World's Greatest Writer
Darren Freebury-Jones
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100 Theatres : Portraits of the Playhouse
Paul Tracey
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Atlas of Performing Culture
Cristiano Leone
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Fifty Key Theatre Designers
Arnold Aronson
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Commercial Dance : An Essential Guide
Anthony R. Trahearn
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Redefining Theatre Communities : International Perspectives on Community-Conscious Theatre-Making
Marco Galea
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795
Carolyn Dowdell
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The Prop Building Guidebook : For Theatre, Film, and TV
Eric (Professional Prop Builder, New York, NY, USA) Hart
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Motion Picture and Video Lighting
Blain Brown
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FORCE Fabric : How to Draw Clothes
Mike Mattesi
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Trish Arnold : The Legacy of Her Movement Training for Actors
Lizzie (RADA, UK) Ballinger
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Stage Management : Communication Design as Scenography
Michael (Guildford School of Acting, UK) Smalley
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TikTok Broadway : Musical Theatre Fandom in the Digital Age
Trevor (Content Creator & Social Media Manager, Content Creat Boffone
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Routledge Companion to Audiences and the Performing Arts
Matthew (York St John University, UK) Reason
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