Cue Tears : On the Act of Crying
Daniel Sack
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Folk Dance and the Creation of National Identities : Staging the Folk
Anthony Shay
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Representations of Policing in Northern Irish Theatre : 1921 – 2021
T. W. Saunders
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Staging Deaf and Hearing Theatre Productions : A Practical Guide
Andy Head
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Edward Ravenscroft's «Mamamouchi, or The Citizen Turned Gentleman» (1672) : A Critical Edition
Manuel J. Gomez-Lara
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The Devil's Charter
Barnabe Barnes
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The Business of English Restoration Theatre, 1660–1700
Deborah C. (American University, Washington DC) Payne
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Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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Utpal Dutt and Political Theatre in Postcolonial India
Mallarika (Jawaharlal Nehru University) Sinha Roy
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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Women Making Shakespeare in the Twenty-First Century
Kim (Western University) Solga
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Theatricality, Playtexts and Society
David (University of York) Barnett
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The Poetics of Performance Diagrams
Andrej (Universitat der Kunste Berlin) Mircev
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Crisis Theatre and The Living Newspaper
Sarah Jane (University of Northampton) Mullan
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Clean Break Theatre Company
Caoimhe (Queen Mary University of London) McAvinchey
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Routledge Handbook of African Theatre and Performance
Kene Igweonu
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Martin McDonagh
Catherine Rees
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Theatre Histories : An Introduction
Daphne P. Lei
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Recorded Music in Creative Practices : Mediation, Performance, Education
Georgia Volioti
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Theatre Responds to Social Trauma : Chasing the Demons
Ellen W. Kaplan
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Living Death in Early Modern Drama
James Alsop
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The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka
Lakshmi D. Bulathsinghala
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