Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Musical Theatre, Realism and Entertainment
Millie Taylor
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The Operatic Archive : American Opera as History
Colleen (Queen’s University at Kingston, Canada) Renihan
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Masque and Opera in England, 1656-1688
Andrew Walkling
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Performing Homer: The Voyage of Ulysses from Epic to Opera
Wendy Heller
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English Dramatick Opera, 1661–1706
Andrew R. Walkling
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The Grand Theater of the World : Music, Space, and the Performance of Identity in Early Modern Rome
Valeria De Lucca
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Musicality in Theatre : Music as Model, Method and Metaphor in Theatre-Making
David Roesner
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Opera Indigene: Re/presenting First Nations and Indigenous Cultures
Pamela Karantonis
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Performing Salome, Revealing Stories
Clair Rowden
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Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples
Anthony R. DelDonna
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Readying Cavalli's Operas for the Stage : Manuscript, Edition, Production
Ellen Rosand
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Melodramatic Voices: Understanding Music Drama
Sarah Hibberd
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Modernism and the Cult of Mountains: Music, Opera, Cinema
Christopher Morris
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Musical Theatre, Realism and Entertainment
Millie Taylor
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