Millard Meiss, American Art History, and Conservation : From Connoisseurship to Iconology and Kulturgeschichte
Jennifer (University of Turin) Cooke
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Rediscovering Objects from Islamic Lands in Enlightenment Europe
Isabelle Dolezalek
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Art Historiography and Iconologies Between West and East
Wojciech (Jagiellonian University, Poland) Balus
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Periodization in the Art Historiographies of Central and Eastern Europe
Shona Kallestrup
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Horizontal Art History and Beyond : Revising Peripheral Critical Practices
Agata Jakubowska
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Wilhelm von Bode and the American Art Market : The Rudolphe Kann Collection
Michaela Watrelot
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Art, History, and Anachronic Interventions Since 1990
Eva Kernbauer
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Time in the History of Art : Temporality, Chronology and Anachrony
Dan Karlholm
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Monographic Exhibitions and the History of Art
Maia Wellington Gahtan
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Comparativism in Art History
Jas Elsner
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Rethinking Australia’s Art History : The Challenge of Aboriginal Art
Susan Lowish
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Making Art History in Europe After 1945
Noemi de Haro Garcia
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Periodization in the Art Historiographies of Central and Eastern Europe
Shona Kallestrup
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Horizontal Art History and Beyond : Revising Peripheral Critical Practices
Agata Jakubowska
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Rethinking Australia’s Art History : The Challenge of Aboriginal Art
Susan Lowish
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Messerschmidt's Character Heads : Maddening Sculpture and the Writing of Art History
Michael Yonan
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Sculptural Materiality in the Age of Conceptualism : International Experiments in Italy
Marin R. Sullivan
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New Narratives of Russian and East European Art : Between Traditions and Revolutions
Galina Mardilovich
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Making Art History in Europe After 1945
Noemi de Haro Garcia
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Mariette and the Science of the Connoisseur in Eighteenth-Century Europe
Smentek Kristel
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The Academy of San Carlos and Mexican Art History : Politics, History, and Art in Nineteenth-Century Mexico
Ray Hernandez-Duran
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The Expressionist Turn in Art History : A Critical Anthology
Kimberly A. Smith
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Alois Riegl in Vienna 1875-1905 : An Institutional Biography
Diana Reynolds Cordileone
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British Romanticism and the Reception of Italian Old Master Art, 1793-1840
Maureen McCue
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