Phonographic Encounters : Mapping Transnational Cultures of Sound, 1890-1945
Elodie A. (University of Newcastle, UK) Roy
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Same Old Girl : 'a relatable read by a phenomenal writer' The Face
Sylvia Patterson
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Dancing in the Street : Motown and the Cultural Politics of Detroit
Suzanne E. Smith
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Selling Sounds : The Commercial Revolution in American Music
David Suisman
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Preparing Musicians for Precarious Work : Transformational Approaches to Music Careers Education
Nicole (Monash University, Australia) Canham
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Competition Policy and the Music Industries : A Business Model Perspective
Jenny (University of Salford, UK) Kanellopoulou
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Competition Policy and the Music Industries : A Business Model Perspective
Jenny (University of Salford, UK) Kanellopoulou
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The Live Music Business : Management and Production of Concerts and Festivals
Andy Reynolds
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The Live Music Business : Management and Production of Concerts and Festivals
Andy Reynolds
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Production Management in Live Music : Managing the Technical Side of Touring in Today’s Music Industry
Matt Doherty
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Production Management in Live Music : Managing the Technical Side of Touring in Today’s Music Industry
Matt Doherty
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Marketing Recorded Music : How Music Companies Brand and Market Artists
Tammy Donham
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Marketing Recorded Music : How Music Companies Brand and Market Artists
Tammy Donham
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Composing for the Screen
Scott W. (Kent State University, USA) Hallgren
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Composing for the Screen
Scott W. (Kent State University, USA) Hallgren
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Beyond the Conservatory Model : Reimagining Classical Music Performance Training in Higher Education
Michael Stepniak
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Beyond the Conservatory Model : Reimagining Classical Music Performance Training in Higher Education
Michael Stepniak
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