Classical Recording : A Practical Guide in the Decca Tradition
Caroline Haigh
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Performing Electronic Music Live
Kirsten Hermes
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Composing Audiovisually : Perspectives on audiovisual practices and relationships
Louise Harris
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Game Audio Programming 3: Principles and Practices
Guy Somberg
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Location and Postproduction Sound for Low-Budget Filmmakers
Michael Tierno
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Practical Audio Electronics
Kevin Robinson
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The Art of Digital Orchestration
Sam (University of Colorado, Denver, CO; Appalachian State Un McGuire
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Innovation in Music : Future Opportunities
Russ (York St John University, UK) Hepworth-Sawyer
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Voice as Art : From Theatre to Forensics
Richard Couzins
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Doing Research in Sound Design
Michael (Simon Fraser University, Canada) Filimowicz
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Researching Live Music : Gigs, Tours, Concerts and Festivals
Chris Anderton
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Artificial Intelligence and Music Ecosystem
Martin Clancy
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Distortion in Music Production : The Soul of Sonics
Gary Bromham
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Music in Twin Peaks : Listen to the Sounds
Reba Wissner
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The Routledge Handbook of Audio Description
Christopher Taylor
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Sound Inventions : Selected Articles from Experimental Musical Instruments
Bart Hopkin
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Scholarly Podcasting : Why, What, How?
Ian M. Cook
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The Body in Sound, Music and Performance : Studies in Audio and Sonic Arts
Linda O Keeffe
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The Sound of a Room : Memory and the Auditory Presence of Place
Sean (Bournemouth University, UK) Street
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Mic It! : Microphones, Microphone Techniques, and Their Impact on the Final Mix
Ian Corbett
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Introduction to Digital Music with Python Programming : Learning Music with Code
Michael S. Horn
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Spotification of Popular Culture in the Field of Popular Communication
Patrick (Texas A&M University, College Station, TX, USA) Burkart
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Understanding Game Scoring : The Evolution of Compositional Practice for and through Gaming
Mack Enns
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