The Live Music Business : Management and Production of Concerts and Festivals
Andy Reynolds
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The Creative Electronic Music Producer
Thomas Brett
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Multisensory Experiences : Where the senses meet technology
Carlos (Associate Professor, Associate Professor, BI Norwegia Velasco
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Major Label Mastering : Professional Mastering Process
Evren Goknar
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Location and Postproduction Sound for Low-Budget Filmmakers
Michael Tierno
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The Body in Sound, Music and Performance : Studies in Audio and Sonic Arts
Linda O Keeffe
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The Sound of a Room : Memory and the Auditory Presence of Place
Sean (Bournemouth University, UK) Street
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Aural/Oral Dramaturgies : Theatre in the Digital Age
Duska Radosavljevic
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Soundwalking : Through Time, Space, and Technologies
Jacek Smolicki
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Mathematical Music : From Antiquity to Music AI
Nikita Braguinski
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Working with the Web Audio API
Joshua (Queen Mary University of London, UK) Reiss
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Collaborative Worldbuilding for Video Games
Kaitlin Tremblay
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Ecologies of Creative Music Practice : Mattering Music
Matthew Lovett
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Finding Your Voice in Radio, Audio, and Podcast Production
Rob Quicke
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The Synergy of Music and Image in Audiovisual Culture : Half-Heard Sounds and Peripheral Visions
K.J. Donnelly
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The Road Crew : Live Music and Touring
Gabrielle Kielich
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Audio Mastering : Separating the Science from Fiction
JP Braddock
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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Writing Online and Audio Stories : Crafting Nonfiction for Websites, Podcasts, and Social Media
Anna Faherty
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Music Technology in Live Performance : Tools, Techniques, and Interaction
Tim Canfer
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Reimagining Sample-based Hip Hop : Making Records within Records
Michail Exarchos
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Leadership in Music Technology Education : Philosophy, Praxis, and Pedagogy
Daniel Walzer
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Live Looping in Musical Performance : Lusophone Experiences in Dialogue
Alexsander Duarte
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Remastering Music and Cultural Heritage : Case Studies from Iconic Original Recordings to Modern Remasters
Stephen Bruel
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