Aural/Oral Dramaturgies : Theatre in the Digital Age
Duska Radosavljevic
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Character Development and Storytelling for Games
Lee (Worcester Polytechnic) Sheldon
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Soundwalking : Through Time, Space, and Technologies
Jacek Smolicki
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Mathematical Music : From Antiquity to Music AI
Nikita Braguinski
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Working with the Web Audio API
Joshua (Queen Mary University of London, UK) Reiss
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Collaborative Worldbuilding for Video Games
Kaitlin Tremblay
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Working with Sound : The Future of Audio Work in Interactive Entertainment
Rob Bridgett
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Become a Competent Music Producer in 365 Days
Sam George
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Accessible Filmmaking : Integrating translation and accessibility into the filmmaking process
Pablo Romero-Fresco
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Spotification of Popular Culture in the Field of Popular Communication
Patrick (Texas A&M University, College Station, TX, USA) Burkart
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Recording Orchestra and Other Classical Music Ensembles
Richard (Vanderbilt University, USA) King
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The Synergy of Music and Image in Audiovisual Culture : Half-Heard Sounds and Peripheral Visions
K.J. Donnelly
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The Road Crew : Live Music and Touring
Gabrielle Kielich
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Sound and Robotics : Speech, Non-Verbal Audio and Robotic Musicianship
Richard (Macquarie University, Australia) Savery
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Audio Mastering : Separating the Science from Fiction
JP Braddock
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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Writing Online and Audio Stories : Crafting Nonfiction for Websites, Podcasts, and Social Media
Anna Faherty
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Analog Audio Amplifier Design
John C.M. Lam
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The Journalist’s Toolbox : A Guide to Digital Reporting and AI
Mike Reilley
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The Theory and Practice of Writing Music for Games
Steve Horowitz
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Analysis and Application of Natural Language and Speech Processing
Mourad Abbas
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Digital Audio Processing Fundamentals
Aurelio Uncini
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Reimagining Sample-based Hip Hop : Making Records within Records
Michail Exarchos
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Coproduction in the Recording Studio : Perspectives from the Vocal Booth
Rod Davies
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