Become a Competent Music Producer in 365 Days
Sam George
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Location and Postproduction Sound for Low-Budget Filmmakers
Michael Tierno
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The Body in Sound, Music and Performance : Studies in Audio and Sonic Arts
Linda O Keeffe
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The Sound of a Room : Memory and the Auditory Presence of Place
Sean (Bournemouth University, UK) Street
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Aural/Oral Dramaturgies : Theatre in the Digital Age
Duska Radosavljevic
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Accessible Filmmaking : Integrating translation and accessibility into the filmmaking process
Pablo Romero-Fresco
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How the World Listens : The Human Relationship with Sound across the World
Tom A. Garner
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Accessible Filmmaking : Integrating translation and accessibility into the filmmaking process
Pablo Romero-Fresco
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Audio Engineering 101 : A Beginner's Guide to Music Production
Tim Dittmar
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Mixing a Musical : Broadway Theatrical Sound Techniques
Shannon Slaton
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Digital Sampling : The Design and Use of Music Technologies
Paul Harkins
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Major Label Mastering : Professional Mastering Process
Evren Goknar
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Soundwalking : Through Time, Space, and Technologies
Jacek Smolicki
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Mathematical Music : From Antiquity to Music AI
Nikita Braguinski
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Working with the Web Audio API
Joshua (Queen Mary University of London, UK) Reiss
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The Synergy of Music and Image in Audiovisual Culture : Half-Heard Sounds and Peripheral Visions
K.J. Donnelly
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The Road Crew : Live Music and Touring
Gabrielle Kielich
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Audio Mastering : Separating the Science from Fiction
JP Braddock
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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Writing Online and Audio Stories : Crafting Nonfiction for Websites, Podcasts, and Social Media
Anna Faherty
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