Hybrid Documentary and Beyond
Rachel Landers
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Epidemic Cinema : The Rise of a Genre
Julia Echeverria
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American Masculinities in Contemporary Documentary Film : Up Close Behind the Mask
Sara (Universitat Autonoma de Barcelona, Spain) Martin
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India's New Independent Cinema : Rise of the Hybrid
Ashvin Immanuel (Queen Mary University of London, UK) Devasundaram
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Film Comedy and the American Dream
Zach Sands
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Surveillance in Asian Cinema : Under Eastern Eyes
Karen Fang
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Hollywood Remembrance and American War
Andrew Rayment
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Trans New Wave Cinema
Akkadia (Southern Cross University, Australia) Ford
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Indian Cinema Beyond Bollywood : The New Independent Cinema Revolution
Ashvin Immanuel (Queen Mary University of London, UK) Devasundaram
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Collective Trauma and the Psychology of Secrets in Transnational Film
Deborah Lynn Porter
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Horror Franchise Cinema
Mark (Bournemouth University, UK) McKenna
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Classical Hollywood Film Cycles
Zoe Wallin
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Why We Remake : The Politics, Economics and Emotions of Film and TV Remakes
Lauren Rosewarne
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Philosophical Theories of Political Cinema
Angelo Emanuele Cioffi
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Flashbacks in Film : A Cognitive and Multimodal Analysis
Adriana Gordejuela
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Love in Contemporary Cinema : Audiences and Representations of Romance
Benjamin de la Pava Velez
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Breaking Down Joker : Violence, Loneliness, Tragedy
Sean (Deakin University, Australia) Redmond
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Landscape and Memory in Post-Fascist Italian Film : Cinema Year Zero
Giuliana Minghelli
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Asian Cinema and the Use of Space : Interdisciplinary Perspectives
Lilian Chee
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Moralizing Cinema : Film, Catholicism, and Power
Daniel Biltereyst
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Postcolonial Film : History, Empire, Resistance
Rebecca Weaver-Hightower
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American and Chinese-Language Cinemas : Examining Cultural Flows
Lisa Funnell
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Horror Film and Affect : Towards a Corporeal Model of Viewership
Xavier Aldana Reyes
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Cinema, Memory, Modernity : The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
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