Violin Concerto ‘Concentric Paths’
Thomas Ades
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Picture a Day Like This (full score)
George Benjamin
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£80.00
£52.03
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Quiet Pictures : Women and Silence in Contemporary British and French Cinema
Dr. Sarah Artt
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Quiet Pictures : Women and Silence in Contemporary British and French Cinema
Dr. Sarah Artt
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Haunted Histories and Troubled Pasts : Twenty-First-Century Screen Horror and the Historical Imagination
Dr. Amanda Howell
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Haunted Histories and Troubled Pasts : Twenty-First-Century Screen Horror and the Historical Imagination
Dr. Amanda Howell
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The Technique of Orchestration - Textbook and Workbook Set
Kent Kennan
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£94.99
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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£1,254.71
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The Great European Stage Directors Set 1 : Volumes 1-4: Pre-1950
Simon (Royal Central School of Speech & Drama, University of Shepherd
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£85.00
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The Neoliberal Self in Bollywood : Cinema, Popular Culture, and Identity
Namrata Rele (Southern Illinois University, Carbondale) Sathe
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The Neoliberal Self in Bollywood : Cinema, Popular Culture, and Identity
Namrata Rele (Southern Illinois University, Carbondale) Sathe
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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The Story of Marvel Studios : The Making of the Marvel Cinematic Universe
Tara Bennett
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£115.00
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The James Bond Archives. “No Time To Die” Edition
Paul Duncan
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Joni Mitchell Complete So Far
Joni Mitchell
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The Europeanness of European Cinema : Identity, Meaning, Globalization
Mary Harrod
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Making Meaning : Inference and Rhetoric in the Interpretation of Cinema
David Bordwell
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Analog Days : The Invention and Impact of the Moog Synthesizer
Trevor Pinch
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Parsifal : In Full Score
Richard Wagner
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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The Musical Art of Synthesis
Sam (University of Colorado, Denver, CO; Appalachian State Un McGuire
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The Definitive Jacques Tati
Alison Castle
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£200.00
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Hitchcock and the Cinema of Sensations : Embodied Film Theory and Cinematic Reception
Paul Elliott
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