The Man with the Golden Eye: Designing the James Bond Films
Peter Lamont
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The Moviemaking Magic of Marvel Studios : Heroes & Villains
Eleni Roussos
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The Pedro Almodovar Archives
Paul Duncan
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MGM Style : Cedric Gibbons and the Art of the Golden Age of Hollywood
Howard Gutner
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Life Through an Aperture : The Films and Photography of Keith Hamshere
Keith Hamshere
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Happy Massee: Diary of a Set Designer : Polaroids
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Eisenstein on the Audiovisual : The Montage of Music, Image and Sound in Cinema
Robert Robertson
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Angenieux and Cinema : From Light to Image
Silvana Editoriale
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From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition
Sarah Atkinson
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Film Light : Meaning and Emotion
Lara Thompson
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Charles Urban : Pioneering the Non-Fiction Film in Britain and America, 1897 - 1925
Luke McKernan
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Experiencing Film Music : A Listener's Companion
Kenneth LaFave
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Journey to Poland : Documentary Landscapes of the Holocaust
Maurizio Cinquegrani
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Jacques Ranciere and the Politics of Art Cinema
James Harvey
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Mixing Work with Pleasure : My Life at Studio Ghibli
Suzuki Toshio
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Colour Reproduction in Electronic Imaging Systems : Photography, Television, Cinematography
Michael S. (Principal Consultant, MTA, UK) Tooms
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Architecture Filmmaking
Igea (Xi'an Jiaotong-Liverpool University) Troiani
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The Ghost in the Image : Technology and Reality in the Horror Genre
Cecilia (Senior Lectur, Senior Lectur, University of Kent) Sayad
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Story Movements : How Documentaries Empower People and Inspire Social Change
Caty (Assistant Professor, Assistant Professor, America Borum Chattoo
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The Oxford Handbook of Film Music Studies
David (Professor of Music Theory, Professor of Music Theory, Neumeyer
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Production Design & the Cinematic Home
Jane Barnwell
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Semiotics and Title Sequences : Text-Image Composites in Motion Graphics
Michael (Savannah College of Art and Design, USA) Betancourt
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