Design in Motion : Applying Design Principles to Filmmaking
Penny (London College of Communication, UK) Hilton
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The Language of Film
Professor or Dr. Robert (Professor of Writing and Popular Cultu Edgar
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SceneWriting : The Missing Manual for Screenwriters
Chris (Hampshire College, USA) Perry
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Hollywood's Pioneering Daredevils! : Film Action Before CGI
Andy Wilkinson
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Beyond Continuity : Script Supervision for the Modern Filmmaker
Mary Cybulski
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Scheduling and Budgeting Your Film : A Panic-Free Guide
Paula Landry
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Changing Direction: A Practical Approach to Directing Actors in Film and Theatre : Foreword by Ang Lee
Lenore (Columbia University, USA) DeKoven
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Sixties British Cinema Reconsidered
Duncan Petrie
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Refocus: the Films of Pedro Costa : Producing and Consuming Contemporary Art Cinema
Nuno Barradas Jorge
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Affective Intensities and Evolving Horror Forms : From Found Footage to Virtual Reality
Adam Daniel
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Vampires in Italian Cinema, 1956-1975
Michael Guarneri
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New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror
Patricia Pisters
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Blood in the Streets : Histories of Violence in Italian Crime Cinema
Austin Fisher
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The Cinema of Paul Thomas Anderson : American Apocrypha
Ethan Warren
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Back From the Future : A Celebration of the Greatest Time Travel Story Ever Told
Brad Gilmore
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Reel Change : A History of British Cinema from the Projection Box
Richard Wallace
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Location and Postproduction Sound for Low-Budget Filmmakers
Michael Tierno
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Immortal Films : "Casablanca" and the Afterlife of a Hollywood Classic
Barbara Klinger
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The Collaborative Art of Filmmaking : From Script to Screen
Linda (Independent script consultant, USA) Seger
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Totally Truffaut : 23 Films for Understanding the Man and the Filmmaker
Anne (Professor Emerita of Film, Professor Emerita of Film, W Gillain
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Alien Legacies : The Evolution of the Franchise
Nathan (Professor of Film, Professor of Film, Bangor Universit Abrams
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An Introduction to Film and TV Production : From Concept to Market
Joseph Richie
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Making a Scene in Documentary Film : Iconic Filmmakers Discuss What Works and Why
Maxine Trump
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Fine Cuts: Interviews on the Practice of European Film Editing
Roger (BAFTA, UK) Crittenden
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