Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles (Feirstein Graduate School of Cinema, USA) Haine
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Rotoscoping : Techniques and Tools for the Aspiring Artist
Benjamin Bratt
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Directing Screen Performances
Robert Klenner
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The Northman: A Call to the Gods
Simon Abrams
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£49.99
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Eyes Wide Shut : Stanley Kubrick and the Making of His Final Film
Robert P. (Professor Emeritus, Professor Emeritus, University Kolker
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Performance Costume : New Perspectives and Methods
Professor Sofia (Aalto University, Finland) Pantouvaki
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Film Production Management : How to Budget, Organize and Successfully Shoot your Film
Bastian Cleve
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Film Editing : Emotion, Performance and Story
Julie (Senior Lecturer and Associate Lecturer, Westminster Un Lambden
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Discorrelated Images
Shane Denson
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Screen Production Research : Creative Practice as a Mode of Enquiry
Craig Batty
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£34.99
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Shoot, Edit, Share : Video Production for Mass Media, Marketing, Advertising, and Public Relations
Kirsten Johnson
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Film and Video Editing Theory : How Editing Creates Meaning
Michael Frierson
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Smartphone Filmmaking : Theory and Practice
Dr. Max (Senior Lecturer, Swinburne University of Technology Schleser
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Sine ni Lav Diaz : A Long Take on the Filipino Auteur
Parichay Patra
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Running the Show : The Essential Guide to Being a First Assistant Director
Liz (First AD and Director) Gill
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The Eloquent Screen : A Rhetoric of Film
Gilberto Perez
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Design in Motion : Applying Design Principles to Filmmaking
Penny (London College of Communication, UK) Hilton
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Production Design : Visual Design for Film and Television
Peg McClellan
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The Language of Film
Professor or Dr. Robert (Professor of Writing and Popular Cultu Edgar
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Super 8 : An Illustrated History
Danny Plotnick
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Stanley Kubrick Produces
James Fenwick
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£36.00
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Girl Head : Feminism and Film Materiality
Genevieve Yue
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Make the Cut : A Guide to Becoming a Successful Assistant Editor in Film and TV
Lori Coleman
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Changing Direction: A Practical Approach to Directing Actors in Film and Theatre : Foreword by Ang Lee
Lenore (Columbia University, USA) DeKoven
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