Semiotics for Screenwriters : Break Down Your Favorite Movies Then Write Your Own
Michael (East Carolina University, USA) Tierno
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Screenwriters Advice : From Popular and Award Winning Film, TV, and Streaming Shows
Andrew (Independent Scholar, UK) Zinnes
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The Films of Laura Mulvey and Peter Wollen : Scripts, Working Documents, Interpretation
Oliver Fuke
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Applied Screenwriting : How to Write True Scripts for Creative and Commercial Video
Carey Martin
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Star Wars Storyboards : The Original Trilogy
J.W. Rinzler
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The Story of Film
Mark Cousins
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Collected Screenplays
Andrei Tarkovsky
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In The Heights : Finding Home **The must-have gift for all Lin-Manuel Miranda fans**
Lin-Manuel Miranda
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Writing the Horror Movie
Marc (Southampton Solent University, UK) Blake
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Screenwriting is Rewriting : The Art and Craft of Professional Revision
Jr., Jack (University of Southern California, USA) Epps
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Writing the Short Film
Patricia (Tisch School of the Arts, New York University, New Y Cooper
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Inclusive Screenwriting for Film and Television
Jess (DePaul University, USA) King
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Screen Production Research : Creative Practice as a Mode of Enquiry
Craig Batty
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La Jetee : cine-roman
Chris Marker
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Writing Compelling Dialogue for Film and TV : The Art & Craft of Raising Your Voice on Screen
Loren-Paul (Columbia University; NYU Tisch; Hofstra University Caplin
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Scriptwriting for Film, Television and New Media
Alan (Point Loma Nazarene University, USA) Hueth
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Screenwriting for Micro-Budget Films : Tips, Tricks and Hacks for Reverse Engineering Your Screenplay
David Greenberg
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Scriptwriting for Web Series : Writing for the Digital Age
Marie (San Francisco State University, USA) Drennan
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Writing Women for Film & Television : A Guide to Creating Complex Female Characters
Anna (Kennesaw State University, USA) Weinstein
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Collaborative Screenwriting and Story Development : A Global Guide for Writers, Story Teams, and Creative Executives
Marc Handler
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Screenwriting from the Inside Out : Think and Write like a Creative
Margaret McVeigh
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The GoFaSt Guide To Screenwriting : The Goals, Failures, and Stakes Model of Narrative Storytelling
Greg (The New School, USA) Takoudes
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The Final Rewrite : How to View Your Screenplay with a Film Editor’s Eye
John (University of Southern California, USA) Rosenberg
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Introduction to Screen Narrative : Perspectives on Story Production and Comprehension
Paul Taberham
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