James Bond Will Return : Critical Perspectives on the 007 Film Franchise
Claire Hines
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Poltergeist
Rob McLaughlin
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The Long Hallway
Richard Scott Larson
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Comedy Films 1894–1954
John Montgomery
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Copyright Vigilantes : Intellectual Property and the Hollywood Superhero
Ezra Claverie
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The Sinful Maternal : Motherhood in Possession Films
Lauren Rocha
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The New Wave Cinema in Iran : A Critical Study
Parviz (Independent Scholar, UK) Jahed
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The Myth of Harm : Horror, Censorship and the Child
Sarah Cleary
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Art and the Historical Film : Between Realism and the Sublime
Dr Gillian McIver
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Ingmar Bergman at the Crossroads : Between Theory and Practice
Maaret Koskinen
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Joan Crawford in Film Noir : The Actress as Auteur
David Meuel
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Hollywood Sex Comedies, 1953-1964 : A Critical Analysis of 25 Films
Hal Erickson
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The Transmedia Construction of the Black Panther : Long Live the King
Bryan J. Carr
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Vigilante Justice in Society and Popular Culture : A Global Perspective
Peter Robson
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Le Corbusier on Camera : The Unknown Films of Ernest Weissmann
Veronique Boone
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Anime : A Critical Introduction
Rayna (University of East Anglia, UK) Denison
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Film Fourth Edition : A Critical Introduction
Maria Pramaggiore
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Writing the Horror Movie
Marc (Southampton Solent University, UK) Blake
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Slow Cinema
Tiago De Luca
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Suspiria
Alexandra Heller-Nicholas
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For His Eyes Only : The Women of James Bond
Lisa Funnell
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New Queer Cinema : The Director's Cut
B. Ruby Rich
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Free and Easy? : A Defining History of the American Film Musical Genre
Sean Griffin
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Science Fiction Film : A Critical Introduction
Keith M. Johnston
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