C'mon, Get Happy : The Making of Summer Stock
David Fantle
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Realist Film Theory and Bicycle Thieves
Hilary (University of Vermont, USA) Neroni
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Mabel Normand : The Life and Career of a Hollywood Madcap, 2d ed.
Timothy Dean Lefler
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Labors of Fear : The Modern Horror Film Goes to Work
Aviva Briefel
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Politically Animated : Non-fiction Animation from the Hispanic World
Jennifer Nagtegaal
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£62.00
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The Blaxploitation Horror Film : Adaptation, Appropriation and the Gothic
Jamil Mustafa
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Filmstadt Gottingen : Ein Kapitel deutscher Filmgeschichte
Michael Petzel
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Vieillesses en Chine et en France : Mots, textes, images
Laurent Gautier
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Cinema I
Gilles (No current affiliation) Deleuze
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Explorations in Theology and Film : An Introduction
Clive (Both University College of Ripon and York St John) Marsh
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Film and Literature : An Introduction and Reader
Timothy (University of Pennsylvania, USA) Corrigan
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Feminism and Film
E. Ann (Professor of English and Director of the Humanities In Kaplan
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Directory of World Cinema: American Independent
John (Renmin University of China) Berra
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The Silent Cinema Reader
Lee Grieveson
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Exhibiting Cinema in Contemporary Art
Erika Balsom
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Hollywood Musicals, The Film Reader
Steven Cohan
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Philosophers Explore The Matrix
Christopher (Assistant Professor of Philosophy, Assistant Profes Grau
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Music and Levels of Narration in Film : Steps across the Border
Guido (University of Bristol, UK) Heldt
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Film Genre for the Screenwriter
Jule Selbo
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Feminisms : Diversity, Difference and Multiplicity in Contemporary Film Cultures
Laura Mulvey
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No Country for Old Men : From Novel to Film
Lynnea Chapman King
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Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde Film - Advertising - Modernity
Michael Cowan
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British Historical Cinema
Claire Monk
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