Through a Noir Lens : Adapting Film Noir Visual Style
Sheri Chinen Biesen
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My Affair with Art House Cinema : Essays and Reviews
Phillip Lopate
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New Israeli Horror : Local Cinema, Global Genre
Olga Gershenson
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Studies in Medievalism XXXIII : (En)gendering Medievalism
Karl (Author) Fugelso
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Networked Bollywood : How Star Power Globalized Hindi Cinema
Swapnil (University of Michigan, Ann Arbor) Rai
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Cinemas of the Global South : Towards a Southern Aesthetics
Dilip M Menon
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The Routledge Companion to Asian Cinemas
Zhen (New York University, USA) Zhang
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The Language of Asian Gestures : Embodied Words Through the Lens of Film
Jieun Kiaer
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The Disaster Film as Social Practice
Joseph (Rhode Island College, United States of America) Zornado
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An Epistemology of Criminological Cinema
David (University of Rijeka, Croatia) Grcki
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Film, Form, and Culture
Robert P. (University of Maryland, USA) Kolker
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Hollywood and China in the Post-postclassical Era
Lara Herring
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The Theological Power of Film
James Lorenz
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Critical Readings on Hammer Horror Films
Fernando Gabriel (Universidad de Buenos Aires, Argentin Pagnoni Berns
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Feedback : The Video Data Bank Catalog of Video Art and Artist Interviews
Kate Horsfield
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Teaching Film from the People's Republic of China
Zhuoyi Wang
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Transmodern Cinema and Decolonial Film Theory : A Study of Youssef Chahine's al-Masir
Assistant Professor Robert K. (Northern New Mexico College, U Beshara
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Reappraising Cult Horror Films : From Carnival of Souls to Last Night in Soho
Dr Lee (University of Leeds, UK) Broughton
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Horrifying Children : Hauntology and the Legacy of Children’s Television
Lauren (York St. John University, UK) Stephenson
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Haunted Histories and Troubled Pasts : Twenty-First-Century Screen Horror and the Historical Imagination
Dr. Amanda (Griffith University, Australia) Howell
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Haunted Histories and Troubled Pasts : Twenty-First-Century Screen Horror and the Historical Imagination
Dr. Amanda Howell
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Haunted Histories and Troubled Pasts : Twenty-First-Century Screen Horror and the Historical Imagination
Dr. Amanda Howell
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The Influencer Factory : A Marxist Theory of Corporate Personhood on YouTube
Grant Bollmer
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