Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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Classical Antiquity and the Cinematic Imagination
Martin M. (George Mason University, Virginia) Winkler
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Networked Bollywood : How Star Power Globalized Hindi Cinema
Swapnil (University of Michigan, Ann Arbor) Rai
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Cinema and Surveillance : The Asymmetric Gaze
Martin (Rice University, USA) Blumenthal-Barby
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Cinemas of the Global South : Towards a Southern Aesthetics
Dilip M Menon
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The Routledge Companion to Asian Cinemas
Zhen (New York University, USA) Zhang
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The Language of Asian Gestures : Embodied Words Through the Lens of Film
Jieun Kiaer
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Spanish Film Policies and Gender
Jara Fernandez (University of Southampton, UK) Meneses
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An Epistemology of Criminological Cinema
David (University of Rijeka, Croatia) Grcki
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Film, Form, and Culture
Robert P. (University of Maryland, USA) Kolker
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Hollywood and China in the Post-postclassical Era
Lara Herring
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The Theological Power of Film
James Lorenz
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Critical Readings on Hammer Horror Films
Fernando Gabriel (Universidad de Buenos Aires, Argentin Pagnoni Berns
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Chinese Films Abroad : Distribution and Translation
Yves Gambier
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Subjectivity and Decolonisation in the Post-Independence Novel and Film
Sarah Jilani
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Theatricality and the Arts : Film, Theatre, Art
Andrew Quick
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Cinema and Machine Vision : Artificial Intelligence, Aesthetics and Spectatorship
Daniel Ch?vez Heras
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Armchair Cinema : A History of Feature Films on British Television, 1929-1981
Sheldon Hall
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The Metamodern Slasher Film
Steve Jones
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Filming Death : End-Of-Life Documentary Cinema
Outi Hakola
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Reimagining Israel and Palestine in Contemporary British and German Culture
Isabelle Hesse
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Refocus: The Films of Lawrence Kasdan
Brett Davies
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Textiles on Film
Becky (University of New Mexico, USA) Peterson
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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