The Works of Tim Burton : Margins to Mainstream
J. Weinstock
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The Computer-Animated Film : Industry, Style and Genre
Christopher Holliday
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Myth and Masculinity in the Japanese Cinema : Towards a Political Reading of the Tragic Hero
Isolde Standish
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Vampires in Silent Cinema
Gary D Rhodes
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The Screenwriters Taxonomy : A Collaborative Approach to Creative Storytelling
Eric (Ohio University, USA) Williams
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Plants in Science Fiction : Speculative Vegetation
Katherine E. Bishop
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Screening the Paris Suburbs : From the Silent Era to the 1990s
Philippe Met
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New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror
Patricia Pisters
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Refocus: the Films of William Wyler
John Price
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Robot Suicide : Death, Identity, and AI in Science Fiction
Liz W., Dean College Faber
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Historical Media Memories of the Rwandan Genocide : Documentaries, Films, and Television News
Tommy Gustafsson
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French Westerns : On the Frontier of Film Genre and French Cinema
Timothy Scheie
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Cinema in the Arab World : New Histories, New Approaches
Ifdal Elsaket
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Special Effects on the Screen : Faking the View from Melies to Motion Capture
Martin Lefebvre
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Hungarian Film, 1929-1947 : National Identity, Anti-Semitism and Popular Cinema
Gabor Gergely
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Korean Cinema in Global Contexts : Post-Colonial Phantom, Blockbuster and Trans-Cinema
Soyoung Kim
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Nazism and Neo-Nazism in Film and Media
Jason Lee
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Cinema on the Front Line : British Soldiers and Cinema in the First World War
Chris Grosvenor
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Animals in Narrative Film and Television : Strange and Familiar Creatures
Karin Beeler
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Elizabeth Taylor : Icon of American Empire
Gloria Shin
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Screening Art : Modernist Aesthetics and the Socialist Imaginary in East German Cinema
Sean Allan
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Vivre Ici : Space, Place and Experience in Contemporary French Documentary
Alison (Department of French, University of Virginia J. Murray Levine
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Subjective Realist Cinema : From Expressionism to Inception
Matthew Campora
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Secret Cinema and the Immersive Experience Industry
Sarah Atkinson
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