Subjective Realist Cinema : From Expressionism to Inception
Matthew Campora
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Animals in Narrative Film and Television : Strange and Familiar Creatures
Karin Beeler
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Elizabeth Taylor : Icon of American Empire
Gloria Shin
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Robot Suicide : Death, Identity, and AI in Science Fiction
Liz W., Dean College Faber
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Special Effects on the Screen : Faking the View from Melies to Motion Capture
Martin Lefebvre
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Hungarian Film, 1929-1947 : National Identity, Anti-Semitism and Popular Cinema
Gabor Gergely
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Korean Cinema in Global Contexts : Post-Colonial Phantom, Blockbuster and Trans-Cinema
Soyoung Kim
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Nazism and Neo-Nazism in Film and Media
Jason Lee
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Alejandro Jodorowsky : Filmmaker and Philosopher
William Egginton
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Cinema, Culture, Scotland : Selected Essays
Colin McArthur
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The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea
Andrew Jackson
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Holocaust Representations in Animated Documentaries : The Contours of Commemoration
Liat Steir-Livny
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Pierrot and His World : Art, Theatricality, and the Marketplace in France, 1697–1945
Marika Takanishi Knowles
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The Non-Professional Actor : Italian Neorealist Cinema and Beyond
Dr. Catherine (Bristol University, UK) O'Rawe
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Exotic Cinema : Encounters with Cultural Difference in Contemporary Transnational Film
Daniela Berghahn
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Hammer Goes to Hell : The House of Horror's Unmade Films
Kieran Foster
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Incomplete : The Feminist Possibilities of the Unfinished Film
Dr. Alix Beeston
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German-Language Children's and Youth Literature In The Media Network 1900-1945.
Petra Josting
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The Oxford Handbook of New Science Fiction Cinemas
J. P. (Professor Emeritus of Film and Media Studies, Professo Telotte
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Prosthetic Agency : Literature, Culture and Masculinity after World War II
Gill (University of St Andrews, Scotland) Plain
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Refocus: the Films of Nuri Bilge Ceylan
G n l D nmez-Colin
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Silicon Valley Cinema
Joe Street
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East Asian Film Remakes
David Scott Diffrient
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Danish and German Silent Cinema : Towards a Common Film Culture
Lars-Martin S rensen
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