Writing History in Film
William (Sonoma State University, USA) Guynn
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Moving Environments : Affect, Emotion, Ecology, and Film
Alexa Weik von Mossner
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Mapping Intermediality in Performance
Andy Lavender
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Global Scriptwriting
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Screen Tastes : Soap Opera to Satellite Dishes
Charlotte Brunsdon
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Film Noir
Andrew Spicer
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A Companion to Film Theory
Toby (University of California at Riverside) Miller
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The Making of American Audiences : From Stage to Television, 1750-1990
Richard (Rider University, New Jersey) Butsch
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Red Velvet Seat : Women’s Writings on the First Fifty Years of Cinema
Antonia Lant
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Moving Pictures : A New Theory of Film Genres, Feelings, and Cognition
Torben (Professor of Media Studies, Professor of Media Studies Grodal
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Waving the Flag : Constructing a National Cinema in Britain
Andrew (Senior Lecturer in Film Studies, Senior Lecturer in Fi Higson
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Inside the Film Factory : New Approaches to Russian and Soviet Cinema
Ian Christie
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Redefining Adaptation Studies
Dennis Cutchins
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The Biopic in Contemporary Film Culture
Tom Brown
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Femmes Fatales
Mary Ann Doane
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Moral Theory at the Movies : An Introduction to Ethics
Dean Kowalski
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A Companion to Literature and Film
Robert (New York University) Stam
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The Art of Seeing, the Art of Listening : The Politics of Representation in the Work of Jean-Marie Straub and Daniele Huillet
Ursula Boser
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The Permanent Crisis of Film Criticism : The Anxiety of Authority
Mattias Frey
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Christian Metz and the Codes of Cinema : Film Semiology and Beyond
Margrit Trohler
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The Colour Fantastic : Chromatic Worlds of Silent Cinema
Giovanna Fossati
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Embodied Visions : Evolution, Emotion, Culture, and Film
Torben (Professor of Film and Media, Professor of Film and Med Grodal
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The Films of Luis Bunuel : Subjectivity and Desire
Peter William (Professor of Spanish, Professor of Spanish, Univ Evans
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British Cinema of the 1950s : The Decline of Deference
Sue (, Professor of Film History, University of Portsmouth) Harper
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