The Money Behind the Screen : A History of British Film Finance, 19451985
James Chapman
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Semiotics for Screenwriters : Break Down Your Favorite Movies Then Write Your Own
Michael (East Carolina University, USA) Tierno
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A Guide to Post-classical Narration : The Future of Film Storytelling
Dr. Eleftheria (Aristotle University of Thessaloniki, Greece Thanouli
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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James Bond Will Return : Critical Perspectives on the 007 Film Franchise
Claire Hines
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Sculpting in Time : Reflections on the Cinema
Andrey Tarkovsky
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Anime : A History
Jonathan (Author/Scriptwriter, UK) Clements
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The Richard Dyer Reader
Glyn (University of St Andrews, UK) Davis
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Thinking Film : Philosophy at the Movies
Professor Richard Kearney
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Curating the Moving Image
Mark Nash
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On Kubrick : Revised Edition
James Naremore
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The Cinema of Barbara Stanwyck : Twenty-Six Short Essays on a Working Star
Catherine Russell
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Poltergeist
Rob McLaughlin
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Cinema Memories : A People's History of Cinema-going in 1960s Britain
Melvyn (University College London, UK) Stokes
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Describing Cinema
Timothy (Professor Emeritus of Cinema and Media Studies, Pro Corrigan
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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Our Country/Whose Country? : Early Westerns and Travel Films as Stories of Settler Colonialism
Richard (Emeritus Professor of International Cinema and Media, E Abel
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The Year's Work in Showgirls Studies
M Hardie
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Artificial Women : Sex Dolls, Robot Caregivers, and More Facsimile Females
Julie (SUNY Maritime College) Wosk
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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