The Tenth Muse : Writing about Cinema in the Modernist Period
Laura (University of Edinburgh) Marcus
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The Documentary Film Reader : History, Theory, Criticism
Charles (Professor of Film Studies, Professor of Film Studies, Musser
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Get Real : Documentary Theatre Past and Present
A. Forsyth
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Movie Blockbusters
Julian Stringer
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When the Moon Waxes Red : Representation, Gender and Cultural Politics
Trinh T. Minh-ha
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Visualizing Theory : Selected Essays from V.A.R., 1990-1994
Lucien Taylor
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Projecting a Camera : Language-Games in Film Theory
Edward Branigan
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East European Cinemas
Aniko Imre
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Representations of Femininity in American Genre Cinema : The Woman's Film, Film Noir, and Modern Horror
David Greven
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American Film : A History
Jon (Oregon State University) Lewis
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The Film Factory : Russian and Soviet Cinema in Documents 1896-1939
Ian Christie
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Dreams and Dead Ends : The American Gangster Film
Jack (Professor of English, Professor of English, University Shadoian
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Embodied Visions : Evolution, Emotion, Culture, and Film
Torben (Professor of Film and Media, Professor of Film and Med Grodal
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Reelpolitik II : Political Ideologies in '50s and '60s Films
Beverly Merrill, Ph.D. Kelley
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The Making and Unmaking of Francoist Kitsch Cinema : From Raza to Pan's Labyrinth
Alejandro Yarza
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Phallic Panic
Barbara Creed
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The Horror Film
Peter Hutchings
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(Re)imagining African Independence : Film, Visual Arts and the Fall of the Portuguese Empire
Maria do Carmo Picarra
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Aesthetics and the Cinematic Narrative : An Introduction
Michael Peter Bolus
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Eric Rohmer's Film Theory (1948-1953) : From 'ecole Scherer' to 'politique des auteurs'
Marco Grosoli
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Films that Work : Industrial Film and the Productivity of Media
Patrick Vonderau
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Cinema Beyond Film : Media Epistemology in the Modern Era
Maria Tortajada
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Audiences : Defining and Researching Screen Entertainment Reception
Ian Christie
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Technology and Film Scholarship : Experience, Study, Theory
Santiago Hidalgo
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