Vision's Immanence : Faulkner, Film, and the Popular Imagination
Peter (University of Richmond) Lurie
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Bioethics at the Movies
Sandra (Assistant Professor and Director of Undergraduate St Shapshay
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Cinematic Illuminations : The Middle Ages on Film
Laurie A. (Professor, Kenyon College) Finke
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Screening Gender, Framing Genre : Canadian Literature into Film
Peter Dickinson
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Sex,The Self and the Sacred : Women in the Cinema of Pier Paolo Pasolini
Colleen Ryan-Scheutz
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Film Analysis : A Casebook
Bert Cardullo
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A History of the African American Novel
Valerie (University of Georgia) Babb
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Rewind Italia : Early Video Art in Italy
Laura Leuzzi
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Movies As Artifacts : Cultural Criticism of Popular Film
Michael T. Marsden
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Revolutionary Melodrama : Popular Film and Civic Identity in Nasser's Egypt
Joel Gordon
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Casablanca : Movies and Memory
Marc Auge
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Celluloid Classicism : Early Tamil Cinema and the Making of Modern Bharatanatyam
Hari Krishnan
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Realism and the Birth of the Modern United States : Literature, Cinema and Culture
Stanley Corkin
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Everybody Sing! : Community Singing in the American Picture Palace
Esther M. Morgan-Ellis
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Cinematic Hamlet : The Films of Olivier, Zeffirelli, Branagh, and Almereyda
Patrick J. Cook
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12 Angry Men : Reginald Rose and the Making of an American Classic
Phil Rosenzweig
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Facing the Pacific : Polynesia and the American Imperial Imagination
Jeffrey Geiger
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Contemporary Argentine Cinema
David William Foster
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La proyeccion del neoliberalismo : Las transformaciones del cine mexicano (1988-2012)
Ignacio M. Sanchez Prado
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A Poetics of Resistance : Narrative and the Writings of Pier Paolo Pasolini
David Ward
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Count Dracula Goes to the Movies : Stoker's Novel Adapted, 1922-2003
Lyndon W. Joslin
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Siegfried Kracauer
Graeme Gilloch
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The Evolution of Film : Rethinking Film Studies
Janet (Goldsmiths College, University of London) Harbord
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