Cinema and Contact : The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
Laura McMahon
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Classical Hollywood Film Cycles
Zoe Wallin
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Shakespeare and Indian Cinemas : "Local Habitations"
Poonam Trivedi
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The Cultural Imaginary of Terrorism in Public Discourse, Literature, and Film : Narrating Terror
Michael Frank
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Shakespeare, Cinema, Counter-Culture : Appropriation and Inversion
Ailsa Ferguson
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Film Criticism as a Cultural Institution
Huw (University of Queensland, Australia) Walmsley-Evans
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Silent Film and U.S. Naturalist Literature : Time, Narrative, and Modernity
Katherine Fusco
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Thanatourism and Cinematic Representations of Risk : Screening the End of Tourism
Rodanthi Tzanelli
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Between Film and Screen : Modernism's Photo Synthesis
Garrett Stewart
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Refractions of Reality: Philosophy and the Moving Image
John Mullarkey
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The Radio Eye : Cinema in the North Atlantic, 1958-1988
Jerry White
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Postmodern Texts and Emotional Audiences : Identity and the Politics of Feeling
Kimberly Chabot Davis
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Sites of Disquiet : The Non-Space in Spanish American Short Narratives and Their Cinematic Transformations
Ilka Kressner
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Marvelous Bodies : Italy’s New Migrant Cinema
Vetri Nathan
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Neorrealismo y cine en Cuba : Historia y discurso entorno a la primera polA©mica de la RevoluciA³n, 1951-1962
Anastasia Valecce
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The Dimensions of Difference : Space, Time and Bodies in Women’s Cinema and Continental Philosophy
Caroline Godart
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Bion in Film Theory and Analysis : The Retreat in Film
Carla (Kings College London, UK) Ambrosio Garcia
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Crossover Cinema : Cross-Cultural Film from Production to Reception
Sukhmani Khorana
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Rituparno Ghosh : Cinema, gender and art
Sangeeta Datta
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Spaces of the Cinematic Home : Behind the Screen Door
Eleanor Andrews
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Latino Los Angeles in Film and Fiction : The Cultural Production of Social Anxiety
Ignacio Lopez-Calvo
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The Future of an Illusion : Film, Feminism, and Psychoanalysis
Constance Penley
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Cinematic Uses of the Past
Marcia Landy
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From Self-Portrait to Selfie : Representing the Self in the Moving Image
Wendy Everett
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