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Slaves on Screen

Natalie Zemon Davis

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Shots in the Mirror : Crime Films and Society

Nicole Rafter

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Cutting Rhythms : Intuitive Film Editing

Karen Pearlman

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Studio Ghibli : The Films of Hayao Miyazaki and Isao Takahata

Colin Odell

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Mise-en-scene : Film Style and Interpretation

John Gibbs

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Russian and Soviet Film Adaptations of Literature, 1900-2001 : Screening the Word

Stephen Hutchings

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Screening the Past : Memory and Nostalgia in Cinema

Pam Cook

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Film Criticism in the Digital Age

Frey Mattias Frey

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Leonard Maltin's Movie Guide

Leonard Maltin

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Cutting Rhythms : Intuitive Film Editing

Karen Pearlman

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Film Histories : An Introduction and Reader

Paul Grainge

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Guilty : Hollywood's Verdict on Arabs after 9/11

Jack G. Shaheen

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Leave the Gun, Take the Cannoli : The Epic Story of the Making of The Godfather

Mark Seal

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Teen Movies : American Youth on Screen

Timothy Shary

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Film Theory and Contemporary Hollywood Movies

Warren Buckland

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Miyazakiworld : A Life in Art

Napier Susan Napier

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The Major Film Theories : An Introduction

J. Dudley Andrew

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Quentin Tarantino and Philosophy : How to Philosophize with a Pair of Pliers and a Blowtorch

Richard Greene

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Amar Akbar Anthony : Bollywood, Brotherhood, and the Nation

Elison William Elison

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Queer Images : A History of Gay and Lesbian Film in America

Benshoff

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The Ultimate Star Wars and Philosophy : You Must Unlearn What You Have Learned

Jason T. Eberl

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Queer Theory and Brokeback Mountain

Tinkcom Matthew Tinkcom

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Feminist Film Theory and Pretty Woman

Ruti Mari Ruti

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Faking it : Mock-documentary and the subversion of factuality

Craig Hight

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