The Cinema of Ozu Yasujiro : Histories of the Everyday
Woojeong Joo
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The Animation Studies Reader
Nichola (Edinburgh College of Art, UK) Dobson
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The Major Film Theories : An Introduction
J. D. Andrew
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Feminist Worldmaking and the Moving Image
Erika Balsom
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The Forms of the Affects
Eugenie Brinkema
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The Erotic Cloth : Seduction and Fetishism in Textiles
Alice (Manchester Metropolitan University, UK) Kettle
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Animating Film Theory
Karen Redrobe
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Media Theory in Japan
Marc Steinberg
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The Address of the Eye : A Phenomenology of Film Experience
Vivian Sobchack
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Film Narratology
Peter Verstraten
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An Introduction to Film Analysis : Technique and Meaning in Narrative Film
Professor Michael (Temple University, USA) Ryan
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Sound : An Acoulogical Treatise
Michel Chion
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The Japanese Cinema Book
Hideaki (Nagoya University, Japan) Fujiki
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Life-Destroying Diagrams
Eugenie Brinkema
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Abstract Video : The Moving Image in Contemporary Art
Gabrielle Jennings
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Breaking the Fourth Wall : Direct Address in the Cinema
Tom Brown
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Sound Theory/Sound Practice
Rick Altman
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Eyes Wide Shut : Stanley Kubrick and the Making of His Final Film
Robert P. (Professor Emeritus, Professor Emeritus, University Kolker
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Hammer and Beyond : The British Horror Film
Peter Hutchings
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Birth of an Industry : Blackface Minstrelsy and the Rise of American Animation
Nicholas Sammond
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Robin Wood on the Horror Film : Collected Essays and Reviews
Robin Wood
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The Counter-Cinema of the Berlin School
Marco (Customer) Abel
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Science Fiction Film : A Critical Introduction
Keith M. Johnston
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Screening Modernism : European Art Cinema, 1950-1980
Andras Balint Kovacs
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